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Oil Paintings
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JORDAENS, Jacob Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen).
Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels |
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JORDAENS, Jacob The Bean King af c. 1655
Oil on canvas, 242 x 300 cm
Kunsthistorisches Museum, Vienna
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JORDAENS, Jacob The Bean King (detail) af c. 1655
Oil on canvas
Kunsthistorisches Museum, Vienna
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JORDAENS, Jacob The Bean King f Oil on canvas
Staatliche Museen, Kassel
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JORDAENS, Jacob The King Drinks s Oil on canvas, 156 x 210 cm
Mus??es Royaux des Beaux-Arts, Brussels
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JORDAENS, Jacob The Bean King sf c. 1638
Oil on canvas, 160 x 213 cm
The Hermitage, St. Petersburg
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JORDAENS, Jacob The Bean King (detail) sf c. 1638
Oil on canvas, 160 x 213 cm (full painting)
The Hermitage, St. Petersburg
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JORDAENS, Jacob Eating Man f Oil on canvas
Staatliche Museen, Kassel
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JORDAENS, Jacob The King Drinks sf 1638
Oil on canvas
Mus??es Royaux des Beaux Arts, Brussels
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JORDAENS, Jacob As the Old Sang the Young Play Pipes dy 1638
Oil on canvas, 192 x 120 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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JORDAENS, Jacob As the Old Sang the Young Play Pipes (detail) sf 1638
Oil on canvas
Koninklijk Museum voor Schone Kunsten, Antwerp
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JORDAENS, Jacob Self-portrait among Parents, Brothers and Sisters (detail) sg c. 1615
Oil on canvas
The Hermitage, St. Petersburg
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JORDAENS, Jacob Education of Jupiter sf Oil on panel, 61 x 75 cm
Rockox House, Antwerp
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JORDAENS, Jacob The Four Evangelists sg 1620-25
Oil on canvas, 133 x 118 cm
Mus??e du Louvre, Paris
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JORDAENS, Jacob Adoration of the Shepherds sf Oil on canvas
Mauritshuis, The Hague
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JORDAENS, Jacob An Apostle sg 1623-25
OIl on oak, 68,5 x 51,5 cm
National Gallery, Prague
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JORDAENS, Jacob Assumption of the Virgin d Oil on canvas, 280 x 178 cm
Museum voor Schone Kunsten, Ghent
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JORDAENS, Jacob Portrait of a Young Married Couple dg 1615-1620
Oil on panel
Museum of Fine Arts, Boston
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JORDAENS, Jacob Christ Driving the Merchants from the Temple zg c. 1650
Oil on canvas, 288 x 436 cm
Mus??e du Louvre, Paris
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JORDAENS, Jacob St Charles Cares for the Plague Victims of Milan s 1655
Oil on canvas
Sint-Jacobskerk, Antwerp
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JORDAENS, Jacob The Purification of the Temple (mk05) Canvas,113 1/2 x 171 1/2''(288 x 436 cm)Acquired for Louis XV in 1751 by the intervention of the painter Natoire INV
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JORDAENS, Jacob
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Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen).
Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels
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